Mark Making

Mark making session 1 had a focus on theatre and movement. We were mainly studying the way in which the human body moves.
First we each had to walk down a corridor whilst being studied by the rest of our group as they drew the walk including a reflection on where our weight was focused.

We then got ourselves into smaller groups and focused on the human form when interacting with another. A large majority of our group were exploring the idea of conflict as it was easy to create poses that implied a force upon the other person such as punches and defense.


In our first typography workshop we were given a list of typographic technical terms and asked to drawing each one. We were to consider layout and presentation of the diagrams. This task was thoroughly enjoyable; not only did we start by learning so much more about letter form , text and typographic but we got to apply our creativity to the process. I discovered that there is so much more to type than I had imagined.

V&A visit


Influences From beyond Europe takes us on a journey through foreign design objects deriving from the 19th century. In Victorian Britain retailers traded an array of imported good from Asia, and the Islamic world. Between 1840-1900 the British Empire was expanding and as a result of this trade amongst China, India, Japan, the Islamic world and Southern Spain steadily improved. Due to factors such as the industrial revolution photographers could now experience these other cultures truthfully. This was a chance for designers to break free from the traditional British style that had dominated the 18th and 19th century previously. Despite Britain leaping forward in time with technology, countries such as Asia and the Islamic world were ahead with the appearances of their stimulating use of colour and pattern.

The Victoria and Albert museum was originally the South Kensington Museum in which Queen Vitoria and Prince Albert introduced items that remained from the notorious Great Exhibition of the Victorian era. The great Exhibition took place during the growth in sales whilst partially being the reason for it. Britain was the most powerful and important nation in the world.

A lot of these artistic principles taken by the British from abroad were displayed in the Japanese section from the Influences from Abroad exhibition. Although these displays were larger and contained more artifacts the feeling of the room is still as dark and depressing. If anything expectations might be that the display held in a larger room might feel more spacious and bright but it was quite the opposite. The Influences from Japan are held in a larger room the feels, unbelievably, even more confined than the constricted corridor containing a century worth of prominent design from three parts of the world.

Conversely the colour and lighting of the displays were clearly well thought through during the curation of the displays. Nevertheless this does not necessarily work to its benefit. There is the use of a gold wall within the Japanese display, representative of the rich colour and fabric that were used at the time. Correspondingly within the corridor made up of Asian and Islamic works presented and rich red solid red background, a colour that was not traditionally considered British at this time. These indulgent backgrounds multiplied with the darkness of the gallery perhaps detract from the decorative items that are displayed.

The main item that stood out from all the other exhibits was the Japanese inspired sideboard. this famous piece of furniture design with its geometric form and ebonized finish come from the designer, E.W Godwin’s study of Japanese artistic principles. Un-like the other items from Asia and the Islamic world the sideboard is strategically placed on a simple bamboo flooring, in front of a well-lit and modest plain white wall. This encourages that it lives up to its glory as all of these beautiful and exotic items should.